The Musical Soul of Northeast India: A Deep Connection with Western Music

History of Western Music in Northeast India

The musical journey began with the advent of Christian missionaries in the mid-18th century. Carrying not only the Bible but also a treasure trove of Western traditions, they introduced a cultural wave that would transform the musical landscape of Northeast India. The missionaries established schools, many of which bore Irish and British influences, embedding music into their educational ethos.

In the heart of this evolution stands Shillong, often referred to as the “Rock Capital of India,” where the fusion of tribal traditions and Western music found its most vibrant expression. The piano, organ, guitar, violin, and brass instruments like the trumpet and saxophone became more than instruments in the hands of the region’s masses, where every second person plays an instrument, forming an identity.

Role of Missionary Schools in Western Music Influence

Schools like Loreto Convent and St. Edmund’s in Shillong, St. Paul’s in Darjeeling, Mount Hermon and Dr. Graham’s Home School in Kalimpong played pivotal roles in introducing Western musical traditions to young minds apart from the church choirs. Choral singing and instrumental training were seamlessly woven into the curriculum, ensuring that music was not just learned but lived.

In the evenings, church organs resonated with hymns, their somber yet uplifting notes intertwining with the serene environment. The guitar, portable and versatile, became the heartbeat of community gatherings. The violin, with its soulful timbre, echoed the valleys’ emotions, while the piano, often a centerpiece in missionary schools and homes, brought a sense of grandeur and discipline to musical learning.

Iconic Musicians Shaping Northeast India’s Music Scene

Lou Majaw, the troubadour of Shillong, is a legendary figure in India’s music scene. His journey from a small-town boy to a rock icon is well-known. Uday Benegal of The Rock Machine described him as a pioneer of Rock, Rock’n’Roll, and Reggae in India, predating the band by two decades. Lou’s powerful vocals and stage presence, particularly his renditions of Dylan’s classics, have made Shillong’s evenings unforgettable. He also began celebrating Bob Dylan’s birthday in 1972, which has since become an annual event in the city.

The Musical Soul of Northeast India: A Deep Connection with Western Music (2)

Legendary Choirs and Blues Icons

Another shining beacon of musical brilliance from the Northeast is the Shillong Chamber Choir, a group that has beautifully fused Western classical music with Indian melodies. Founded by the visionary Neil Nongkynrih, the choir captivated the nation by winning India’s Got Talent in 2010, with their breathtaking rendition of Handel’s Hallelujahinterwoven with Bollywood hits.

The choir graced global stages, even performing at Rashtrapati Bhavan for President Barack Obama, a testament to the region’s extraordinary talent. Adding to this legacy are blues stalwarts Rudy Wallang and Tipriti Kharbangar, torchbearers of the genre who proudly represent Northeast India at platforms like the Mahindra Blues Festival.

The Musical Soul of Northeast India: A Deep Connection with Western Music (3)

Carrying the torch forward are a new wave of artists making noise both locally and globally—Meba Ofilia, with her genre-blending sound and powerful presence, Reble, known for his gritty storytelling and effortless flow, and Kim the Beloved, whose soulful voice and fresh perspective are redefining Shillong’s musical narrative. These artists continue to prove that the hills of Meghalaya are still humming with unstoppable creative energy.

The Role of Nagaland and Mizoram in Music Trends

Nagaland and Mizoram have made significant contributions to India’s Western music scene. Nagaland’s Hornbill Festival showcases the state’s love for music, with bands like Alobo Naga and Tetseo Sisters blending tribal tunes with contemporary genres. The Tetseo Sisters’ folk renditions add authenticity to modern music. Abiogenesis, known for their Howey Music, is another standout. Nise Meruno, a classical pianist from Nagaland, has gained international acclaim, while Ron Chaliha from Assam is making waves in the global piano circuit.

The Impact of Western Music on Identity

“Western music in Northeast India is not just an art form; it is an identity,” shared Rittique Phukan, the frontman of the band Voodoo Child from Guwahati. He further added, “It provides a sense of unity across the diverse tribes and cultures of the region.” For many, Western music is a means of expressing aspirations and emotions that words often fail to capture. The youth of the region are particularly drawn to this genre, finding solace and inspiration in the universal language of music.

A Symphony of Cultures

The Western music influence in Northeast India continues to chart its unique path. It has evolved from Country, Rock ‘n’ Roll, and Gospel to genres like Hip Hop and Rap. Lou Majaw aptly sums it up, “Some of them are really good, and I’m happy about it.” This symphony of cultures is not just an influence; it’s an evolution. The connection with Western and Korean music will remain an integral part of Northeast India’s story—a bridge to the world and a reflection of its soul.

The views expressed are those of the author and do not reflect the opinions of Jameson Connects.

Return to jam radio